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Below are the most recent Blues Band reviews.  Click here to read a large selection of accolades accorded to the band over the years.

To read reviews relating to The Blues Band's various solo projects click here

Für Konzert-Kritiken in deutschen Zeitschriften (mit deutschem Text) bitte hier klicken

 

 

www.getreadytorock.com

THE BLUES BAND
BBC Studio 3, Maida Vale, London 11 December 2006

Given the annual Blues Band Christmas show is an integral part of the end of year BBC's Paul Jones R&B show, there were few surprises in store. That said, the guests comprised the vivacious Maggie Bell, the humorous Zoot Money and the musical excellence of one time James Brown sax man Pee Wee Ellis.

And while it was Maggie who all but stole the show, it was Pee Wee who upped the musical ante with some superb sax playing. For their part the Blues band judged the evening perfectly, slipping into their role as both hosts and house band with a minimum amount of fuss, but with just about enough sparkle to make the connection with Christmas.

Guitarist Dave Kelly kicked things off with a seasonal 'Santa Claus is Back in Town', closely followed by Zoot Money delivering the very impressive 'It Never Rains But It Pours' - originally written for Jimmy Witherspoon.

Pee Wee Ellis took his turn on the stand and played another highlight of the night, the funky instrumental 'Ham' from his 'Blues Mission' album. A word for the Blues Band at this point, as some of the complex lines and stops and starts of Ellis's material were taken in their stride by a band whose cool professionalism is often masked by their laid back on-stage demeanour.

There was also a special moment when Pee Wee's sax and Paul Jones's harp conjoined on some jazzy lines as they teased out the theme tune of the song.

For the rest, the Blues Band shared the load with each front line member taking a turn, before Maggie Bell added some real pith on a couple of standards, notably 'As the Years Go Passing By' and 'I Just Want To Make Love To You'. Maggie's sheer dynamism and abrasive phrasing brought to life a brace of songs that too often have become pub rock fare. As Maggie completed her last allotted song, the audience response was such that you almost forgot this was being recorded for the radio, save for an abortive 'Let the Good Times Roll' and a twice taken doowop classic 'What Are You Doing New Years Eve' by the Oriels, on which Paul Jones made a great fist of a difficult vocal line.

The bulk of the programme recorded, the band briefly swung into some of their own back catalogue with Gary Fletcher taking the mic for 'So Lonely' and the ensemble roared into the evening's finale which included a staccato 'I'll Go Crazy' and a Zoot Money led 'High Heel Sneakers', complete with Maggie Bell's improvised 'Bread and Butter' lyrics by the Newbeats. In short a fun time was had by all.

Review by Pete Feenstra

From Mr Kyps, June 2005

The Blues Band : Friday 22 April

Five. Not one rising star and his backing band. Not a has been twosome with a rookie band looking to make their name. Not a power soul trio who were big in the seventies. Five. Five internationally renowned blues musicians on stage together at Mr Kyps on Friday night. It doesn't get much better than that, does it? As soon as The Blues Band launched into their first tune, you realised you were watching a class act. Paul Jones an his band have been at the forefront of British Blues for over twenty years now, and still play with the enthusiasm for the music that brought them together in the first place. With over twenty albums to their name collectively, and many more solo projects besides, the enthusiastic crowd were treated to the whole gamut of the blues genre from standard 12 bar boogies to delicate rootsy soul. Pedigree wise, this band has it all; reading through the list of artists The Blues Band have worked with over the years is like reading a who's who of the blues - Eric Clapton, Peter Green, Susan Tedeschi, Matt Murphy, Santana - the list really is endless. (By the way, did you know that Paul Jones declined the offer of joining The Rolling Stones?) Every member of the band sang a tune, normally one of their own, and usually appearing on a heavily plugged solo album (!), and it was great fun watching the interplay between Paul Jones and Tom McGuinness, duelling together with harmonica and guitar. Rhythm section wise we had it good too, with solid performances from Gary Fletcher on bass and Rob Townsend on drums, but the night's best performance came from Dave Kelly on slide guitar with a great feel and some superlative licks, combined with a groove that sat right with the band all night long. Once again Mr Kyps proved itself to be one of the best venues in the south, and with the integrity of the sound crew and bar staff left once again intact, it will remain many music lovers' first choice. - Steve Finn.

From Blues Matters!  Issue 25 April/May 2005

www.bluesmatters.com

UK - THE BLUES BAND:  Thank You Brother Ray.  Cobalt. 15 tracks.
 

This raised my eyebrows when it arrived. I had been trying to think of who I'd like to hear doing a Ray Charles tribute album and here it is! Who else but the Blues Band! Sometimes in recent years there have been a few 'tired' BB tracks but here the energy and reverence is apparent and obvious. The sleeve folds out to reveal multi-coloured (same) images of Ray, pics of the band and some notes that tell us the band set about discussing their first encounters with the sounds of Ray Charles. I called Gary for a quick Q & A to find the inspiration for this release. The band had previously recorded some six of the number that Charles made famous and here recorded another nine numbers and re-tweaked those others so that there is something different about them, to the previously released versions. The album was actually an idea of Paul Jones' in that when trying to sort out their various diaries for a new, original, Blues Band album it was pretty obvious that it would be some time away and discussion led to Ray Charles and the decision was made to do this. A decision well made I say guys! I am sure that the many fans of the band and of Ray will be thrilled with this album. What is here? Well here are a few of the titles: Sticks And Stones, Hard Times, Lonely Avenue, Losing Hand, I'm Movin' On and the one original, the closing track, l Thank You brother Ray written by Paul Jones and Tom McGuinness. A super tribute from the heart by one of the UK's top live acts..'D'
 

Dirty Linen  (US magazine) Oct/Nov 2004

THE BLUES BAND : Be My Guest BGOCD600

Led by several Manfred Mann alumni - Paul Jones, Tom McGuinness, and Dave Kelly - this English blues ensemble has been rocking along for a quarter of a century. And this anthology is a perfect place to hear its well-rounded repertoire. The 20-track selection includes a nice mix of rhythm-and-blues and boogie-woogie, along with more conventional blues fare, and offers extra treats in the form of several special guests. Charlie Watts and the now-deceased Ian Stewart of The Rolling Stones show up on a few tracks, as does the former zydeco accordionist Rockin' Dopsie, pianists Katie Webster and Big Joe Duskin, Pretty Things guitarist Phil May, trad jazzman Chris Barber, singers Jools Holland and Georgie Fame, and the famed Memphis Horns. So you can imagine how tight and impassioned this sounds. The songs are nearly evenly split between originals and well-known favorites, such as "CC Rider" and "Big Boss Man". Although the band largely operated out of the spotlight all these years and hasn't broken any new musical ground, these guys know how to play, and this album rivals any swinging blues collection released in the United States for many years.

Blues Matters!  June-July 2004:

THE BLUES BAND : Steppin' Out On Main DVD (Secret Films SECDVD126)

It's been a long wait for a live Blues Band DVD but it's been worth it. Recorded in Digital 5.1 surround sound, here's the nation's veteran bluesers recorded live in April 2002 a the Barnstaple Theatre.  There's a good selection of 14 songs from their massive repertoire, a balance of stirring classics such as Dust My Broom and Let The Good Times Roll with the added bonus of every harmonica player's ultimate challenge, Flat Foot Sam, on which Paul Jones demonstrates that, in technique alone, he's still decades ahead of any harp competition.  You get all the vibrant ambience of a Blues Band gig, with Dave Kelly proving yet again that he has one of the finest blues voices in Europe, to say nothing of being an exhilarating slide player.  Gary Fletcher rounds the whole thing off with his legendary crowd-rouser, Green Stuff, and as a welcome extra there's a fascinating exclusive interview with the band.  All in all, a fine 117 minutes of R&B entertainment at a decent price which, if you pump up the volume on your DVD player will provide the equivalent of a good night out in your own front room.  After 25 years on the road, it's nice to see that a group who are about ready to pick up their bus passes can still inspire a younger generation.  Are they legends?  Of course they are!

Blues & Rhythm, April 2004:

THE BLUES BAND : Be My Guest (BGO Records BGOCD 600)

The basics of it are that this is a collection of tracks by The Blues Band, featuring guest artists.  And there's no doubt about it, the guest list is pretty impressive but so is the music.  Included among the visitors, in no particular order, are Plas Johnson, Jo Ann Kelly, Bob Hall, Rockin' Dopsie, Chris Barber and Charlie Watts; that's just a few of 'em, there are plenty of others but space precludes a mention.  Bearing in mind the longevity of The Blues Band, nigh on 25 years, it may not be surprising as to the quality of the artists who have guested with the group - but then credit to the band for attracting such a fine roster.  The band themselves are no slouches when it comes to musicianship, with Paul Jones playing harmonica and vocalising on half of the tracks, Dave Kelly turning in some nifty slide guitar playing and the contributions from the other back-up musicians.  Ultimately the quality of this very acceptable collection comes shining through.

It's almost difficult to select the best performances; I don't think there's a dud among these twenty tracks.  From the opening number, The Cat, with some fine slide guitar work, through the Zydeco piece Hey Little Girl (the guests on this track are Rockin' Dopsie and Chester Zeno), right on to the final track, Resting On Jesus, the music is consistently good. On the last named title Chris Barber plays some mean trombone and there's some grand harmonica and slide guitar work to help things along.

Pianist Ian Stewart, sometimes known as 'The Sixth Rolling Stone', appears on four tracks, one of them being Bad Penny Blues, the number long associated with Humphrey Lyttleton and filched for The Beatles' Lady Madonna.  Stewart does a pretty good job in recreating the part played by Johnny Parker on the original Lyttleton version of this number; helped out by Charlie Watts and Dave Green.

Plas Johnson, that master of the tenor sax, features on three items, all of them excellent listening, my favourite being Bad Boy on which Johnson has the assistance of Big Joe Duskin's piano work.  Also of note is Don't Lie To Me, featuring the great Jo Ann Kelly, When I Itches I Scratch with vocal from Katie Webster and the rousing big band number Swing Out Dave.  This track features Peter King and the Onslaught Orchestra.

All in all I found this compilation thoroughly enjoyable.

Pat Harrison

Wrexham local paper, 2004:

THE BLUES BAND/William Aston Hall at NEWI, Wrexham

Hooker Blues Club's first gig at their new home saw a return visit to Wrexham for The Blues Band, currently out on a 25th anniversary tour - after starting out as 'just a few gigs and some beer money'!

Fronted by the charismatic Paul Jones, on harmonica and vocals - possibly the most famous man in the British blues through his broadcasting - the other members are Dave Kelly (guitars and vocals), Tom McGuinness (guitars, mandolin and vocals), Gary Fletcher (bass, guitar and vocals) with Rob Townsend on ddrums.

A 300-plus crowd were treated to two great sets - with an hour-long acoustic set opening up proceedings.  With 18 albums to their name, and a host of solo projects, they have so much material to choose from that, according to Paul Jones "whole albums can be overlooked".

With marvellous playing and the fact that all four front-line members sing as well, it made for a most exciting opening hour - highlights included a lovely King Bee, from the pen of swamp legend Slim Harpo; a rousing Dust My Blues, with slashing slide guitar form Dave Kelly, and a fine vocal from Tom McGuinness on the timeless Sitting On Top Of The World.

Part of the band's appeal is their easygoing rapport on stage - with much humour, eg Jones' highly amusing mocking of a new blues love songs compilation - "Is there such a thing as a blues love song?"

After a short break, the band returned in electric mode, kicking off with some songs from the first album - The Blues Band Official Bootleg Album - was it really 1979?  The rollicking Going Home saw fine interplay between the harmonica of Jones and Dave Kelly's guitar, followed by the great Come On In - the band's first single.  Son House's Death Letter was another treat from the old days, with more superb slide guitar form Dave Kelly.

For me the highlight of the night was the superb interpretation by Paul Jones of Gil Scott-Heron's Blue Collar with some gorgeous jazzy harmonica and impassioned vocal delivery.

A brace of well-merited encores featurd the band's tribute to the late, great Curits Mayfield on the beautiful People Get Ready, and a dip back again for the wry Green Stuff, complete with band introductions and solo spots - with Rob Townsend performing one of the more entertaining drum solos I have seen!

This rounded off a most entertaining night in an impressive venue that will be used for his year's Dragon Blues Festival, along with the hooker Blues regular nights in the NEWI Students Union bar - make the effort to support the guys!

Grahame Rhodes.

 

 

 

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