(Opening Page)
Latest News
Welcome
Biographies
Discography
Tour Dates
Shop/Sounds
READY! Newsletter
Photos
Reviews
Booking the band
Lyrics
Copyright
FAQs
Submit e-mail
Miscellaneous
Links to other sites

 

Discussion forum

 

To narrow down your search put quotation marks around your text.

Search for:

 

 

 

 

Für eine deutsche Übersetzung dieser Seite klick hier

 

FREQUENTLY ASKED QUESTIONS

 

1.  When are The Blues Band playing next near me?

 

If you would like to be kept informed of the latest gigs keep checking this website's Tour Dates or Latest News pages.

 

2.  When are The Blues Band going to release their next album?

 

Keep checking the Latest News page on this website.

 

3.  Who do I contact to enquire about booking The Blues Band?

 

Please refer to the Booking the band page on this website.

 

4.  Does The Blues Band have a fan club?

 

The fan club has been in existence since 1980.  Please refer to the READY! Newsletter page of this website.

 

5. Why is the band's first album called 'The Official Blues Band Bootleg Album'?

 

Towards the end of 1979 the band were doing a lot of sell-out gigs and getting plenty of coverage in the press etc.  They wanted to record an album and EMI expressed sufficient interest in the project for two weeks' studio time to be booked for the only period (Dec '79) in which the guys' other commitments permitted their coming together. EMI supplied the champagne but then at the eleventh hour, during the recording process, backed out on the basis that "the band's too old"!

 

The band completed the two-week period but since they now had no funds to pay the bill they couldn't obtain the masters of the recording.  However, they did have some sub-master quality listening copies and on the basis that they needed to sell some albums to pay the bill, elected to bootleg themselves!  Two thousand plain white sleeves were obtained, together with a John Bull printing kit, and the name The Official Blues Band Bootleg Album was created on the basis that that was exactly what the record was.  The band then spent what seemed like weeks signing, numbering and stamping the title on each one. They were fortunate in that the fledgling Our Price record chain and the equally pubescent Virgin distribution operation immediately took several hundred copies, which to everyone's surprise sold out within hours.  More copies were delivered to the shops and within two weeks the album became what has been purported to be the first completely self-published album to chart when it went into the Top 40 Album Chart in January 1980.

 

The success of the album saw the same record companies who'd blanked the band only weeks before when they were trying to replace the threatened EMI financing falling over themselves for the guys' signatures.  The band placed the album with Arista Records and it went on to be a major success in many markets.  They'd only said yes to Arista on the basis that it was the only company which hadn't previously turned them down, and that was because the band had forgotten to ask them in the first place!  And to this day, some early Blues Band fans still remember the day when, in order to save a bit of postage where fans lived nearby, Paul, Dave, Tom, Gary or Hughie would have knocked on their front door to personally deliver the album they had ordered at a gig in late '79.......

 

6.  What on-stage equipment do the band use?

 

No, not zimmer frames and oxygen but ....

 

Paul Jones:

Hohner harmonicas (Hohner endorsee)

Amp: Fender Blues Deville Combo

Shure Beta SM58 microphone

MXR Chorus Pedal

Custom-made noise gate

 

Tom McGuinness:

Fender Eric Clapton Stratocaster

Gibson J50 acoustic guitar

Dobro acoustic mandolin

Fender Twin amplifier

Line modulation pedal

Elixir strings (Elixir endorsee)

(With The Manfreds Tom also uses a Fender Twin amplifier and for both bands he has a Peavey Classic 50 as his spare amp.  On the new Blues Band studio album, as yet unreleased, he used all these amps plus a Fender Pro Junior plus a Fender Telecaster).

 

  Dave Kelly:

Guitars: Dave’s electric is a bit of a mixture. The body was made by Chandler's of Kew. It was originally black with EMG pickups [treble active] but Dave stripped it last summer and had Chandler's replace the pickups with Seymour Duncan. He says, "I may go back to the EMG for the neck pick up as the LA is too dynamic for that position. The original neck was a heavy metal monstrosity made by Arrive, but I replaced that with an ordinary Fender Strat neck this summer. It has a Trilogy bridge built by Hipshot which is more efficient on the Fender neck as the strings are in a straight line on the headstock. (On the Arrive they were out in a fan shape). The Trilogy Bridge enables me to have three different notes settings on each string which enables up to thirteen different tunings (apparently) although I only use Open E, Open A, Open G, Concert and dropped D."

Dave also has two Gibson SGs which he no longer uses except as spares in case of string breaks.

He sometimes uses a Hohner 'stick' electric on solo gigs.

Acoustic: 1. Main one is a Gibson J45 circa 1964 which he bought at auction a few years ago after his Guild was stolen. It has replaced the Guild, surpassing all his expectations.

2. A 1970 metal bodied Dobro which Dave gave to a technician last year, who shall remain nameless, to have it set up, and it came back almost unplayable. He’s had a go at it himself and it's a bit better.

3. A 1935 Gibson Kalamazoo which lives at Dave’s home in France and is his home guitar, but "it's so lovely I may use it on solo/duo shows again soon."

4. "A couple of years ago I was offered a circa 1941 Martin small bodied acoustic (can't remember the model) which was reasonably priced so I bought it. Haven't used it much as yet."

Strings: "Whatever’s on special offer."

Amps:  Fender Blues Deville 4 x 10 amplifier, but also still likes his original 1961 VOX AC 30 and Vox reissue circa 1988-ish.

 

Rob Townsend:

DRUMS :   DW    [Drum Workshop ]  -  diamond blue finish
Tom Toms :  10" x 8" ,  12" x 9" ,  14" x 11" , 16" x 13"
Bass Drum :  22" x 18"
Snares  :  14" x 5 1/2 "  DW  Maple Craviotto
                14"  x  5 1/2"  Yamaha Brass Steve Gadd model 
CYMBALS  :   SABIAN    14"  Hi - Hats
                          "  "        16"  Crash
                              "  "        10"  Splash
                          "  "        14"  China
                          "  "        22"  Ride
                          "  "        13"  X-Hats
                          "  "        20"  China
   STICKS  :  Vic Firth  AS  5 A  wood tips
      Vic Firth  Wire Brushes
      HEADS [ skins ] :  Remo  Ambassador
  PLUS :   DW  5000  Hi-Hat  Pedal
                DW 5000 Double Bass Drum Pedal

 

Gary Fletcher:

All guitars mentioned are played left-handed but strung right-handed.

Left-handed Westone Thunder 1A bass

Right-handed Fender Jazz bass

Right-handed De Armond Ashbury silicon strung bass

Right-handed Kramer acoustic bass

Left-handed Fender Stratocaster

Right-handed Takamine EN10

Bass strings: RS55 Rotasound

Guitar strings: Ernie Ball regular

Lab Series L2 bass amplifier

Lab Series 1 x 15 Electrovoice speaker cabinet

Marshall 4 x 12 angle speaker cabinet

 

7.  I've seen the band on several occasions where guest musicians have sat in.  Who else might I have missed seeing/hearing?

 

In terms of live shows, the band have enjoyed the company of Van Morrison, Jack Bruce, Ginger Baker, Southside Johnny, Zoot Money, Mitch Mitchell, Pick Withers, Bernie Marsden, Charlie Musselwhite, Long John Baldry, Chris Barber, Ian Stewart, Alexis Korner, The Rumour Brass, Bob Hall, Ray Beavis, Pete Fillieul, Graham Lyle, Benny Gallagher, Tom Robinson, Lenny Henry, Suzi Quatro, Dino Baptiste, Jonah Lewie, Marcus Cliffe, Andy 'Snake' Johnson, Phil May, and of course the late great Jo-Ann Kelly.

 

Most Blues Band albums have featured guest musicians. The roll call includes Bob Hall, Rockin' Dopsie, Chester Zeno, Ian Stewart, Geraint Watkins, The Memphis Horns, The Kokomo Singers, Nat Adderley, Katie Webster, Big Joe Duskin, Pete Fillieul, The Rumour Brass, Pee Wee Ellis, Peter King, Guy Barker, Plas Johnson, Micky Sanchez, Georgie Fame, Mick Weaver, Alan Skidmore, Beryl Bryden, Jools Holland, Lou Stonebridge, Mike Paice, The Onslaught Brass, Chris Barber, Ian MacLagen etc.

 

Apologies to anyone who may have been left off the list.  Please let us know if you have, on aroneco(at)yahoo.co.uk

 

Photographs of some of the above can be seen on both the Friends & Collaborators and the Life before the band pages within the Photos section of this website.

 

8.  I'm having trouble locating a Blues Band CD in the shops. What should I do?

 

Please refer to the Shop/Sounds page of this website.  If your enquiry isn't answered there then e-mail aroneco(at)yahoo.co.uk

 

9.  Who are AroneWeb?

 

AroneWeb are a web design/management company specialising in music-related sites.  See www.aroneweb.com

 

 

 

This page was last updated 1/4//10

This website and its contents are copyright (C) The Blues Band 2010

See Copyright Notice & Disclaimer